Our ceramics studio was established in 1972 with the idea of exploring the intersection between traditional pottery and modern art.
Today, people engaging in contemporary ceramics are rarely if ever anonymous folk artists; rather they are likely to be well educated, with a focused vision, striving to reveal their own artistic sensibilities. This is very different than historical ceramic production, in which objects were often determined by the expectations and obligations of particular traditions.
Inviting someone to use a handmade ceramic piece is to open the possibility for a conversation, an exchange of ideas, or a shared experience with that person. Pots for everyday use have always had the potential to have a powerful autonomous presence and artistic meaning.